Peter Kater is really a compelling composer and gifted pianist who I have reviewed often times over the years. For nearly 20 years he's collaborated with R. Carlos Nakai and other Native American musicians. Their CD, Through Windows and Walls, remains a popular, along side Kater's Red Moon and Birds of Prey, which continue to be treasured parts of my music library. Three-time Grammy nominee Kater features a gift for creating soundscapes of lush beauty, a perfect complement for an extended drive through the Desert Southwest Music Reviews. Kater's music as a cinematic quality, like written for the movie of your life. On Faces of the Sun, Native American flute accompanies gorgeous contemporary melodies, affording the listener a precious glimpse into the center of the wild Divine.
Kater assembled a good cast of Native American artists for Faces of the Sun, the majority of whom I have experienced the pleasure of reviewing at one time or another. Bill Miller, for example, is featured on the title track in addition to on "Stone Teepees." His vocals on "Faces of the Sun" are haunting, in addition to inspiring, evoking the connection of First Nations individuals with the natural world well before the invasion began. His guitar work can be first rate. Miller shows up again on "Stone Teepees," this time playing flute, in addition to contributing the words and chanting.
Other tracks feature the fabulous flute playing of Mary Youngblood, Kevin Locke, Jeff Ball, Joseph Fire Crow and Douglas Blue feather. Bass, violin, cello, oboe and penny whistles from the renowned Paul McCandless round out the instrumentation, along side Kater's signature keyboards and percussion. For many of the most outstanding Canadian and American influenced contemporary instrumental music of 2007. Be sure to give Faces of the Sun a careful listen.
